MONGOLIA'S UNIQUE VALUABLE "21 DARA EH"
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Today, 21 mothers, who are unique historical and cultural monuments of Mongolia, are being transported to the G.Zanabazar Museum of Fine Arts under the protection of the police in accordance with the procedure for transporting tangible cultural heritage.
As part of the “Creative Month of Culture”, for the first time, the idols “Twenty-One Mothers”, “Green Mothers” and “White Mothers” from the collection of sculptures, which are unique and valuable heritage of Undur Gegeen Zanabazar, are presented as a conference.
An exhibition to present to the public the Twenty-One Mothers created by the hand of the High Enlightenment and to explain its valuable artistic and cultural heritage will be held tomorrow, September 9-11, at the G.Zanabazar Museum of Fine Arts.
G.Zanabazar is a well-known Mongolian religious and cultural figure, popularly known as “Undur Gegeen”, who immortalized himself in the history of Mongolian art with his famous sculpture. These works of Zanabazar were a great progress in the art of Mongolian casting in the 17th century and a miracle of intellectual revival.
In his works, Undur Gegeen Zanabazar embodies the aesthetic and aesthetic nature of the nomads, imbuing beauty with the image of beauty imagined by mankind in the Buddhist style, and discusses the history, science, heritage, aesthetics, art and traditions of the people. are masterpieces with unique designs that contain knowledge.
Redeemer green after mother:The Tibetan name is Doljan and the Samgardi name is Shyamatara. It is so named because the animal redeems everything from suffering. His graceful face was as round as the clear moon of autumn, as beautiful as an open lotus petal, as emerald-colored, with a compassionate smile, a pair of long eyelashes, as black and white as the eyes, perfectly perfect, always leaving disciples and all beings. Odbagmed has a wide-eyed look, the ability to blink in an instant, the eyes are white and perfect as light, the lips and palms of the hands and the soles of the feet are red, the hair on the head is black and soft. At the age of sixteen, he was perfect, with a supreme hand on his right knee with his palms facing up. It is a miscarriage of salvation when the wise disciple calls on the meadows to go to the place of the gods, the left hand symbolizes the three highest realms of salvation, and the other fingers are raised up with the thumb and forefinger. It symbolizes the deliverance of tribal danger like a lion, the danger of ignorance like an elephant, the danger of anger like a fire, the danger of jealousy like a snake, the danger of evil like a thief, the danger of greed like a leopard, the danger of lust like water, and the danger of doubt. The symbol of the blue long flower in the hand is a reminder to create a lesson that the celestial beings and meadows can be brought to the Buddha not only by the peace of the universe. The upper part of the body is covered with a rainbow, and the cross is folded to the right and half to the left.
The great ornaments of the first one adorn the evening on New Year's Eve, and they are wonderful and distinct from the ornaments of heaven and man. The neckline is decorated with other pendants. From all these ornaments, the white light that relieves suffering shines brightly. The shoulders are flat, the waist is narrow, and below it there is a vigilance belt that symbolizes the closure of the head of the shameful spy. The gods of the past, the present, and the future have all grown into the image of the redeeming green mother. Remembering the goddess's lagsh with one heart can save her from untimely death and from external and internal dangers. Although Janraiseg said that all living beings would be taken out of the universe, he created immeasurable benefits for animals, but he was saddened by the failure of the universe and shed tears. I will help that animal. Let's save everyone from harm. The beast in my mind was commanded to make them possible in an incomparable substance, and he liked the meadows of the faithful Janraise. It is said that if the devotee worships with great devotion in order to remember the lagshin, the commandments, and the will of the green mother, he prays with all his heart that from the moment of worship until he finds the bodhi knife, he will be a relative of salvation. It spreads all the basic sciences up and down. It is said that in times of trouble, sin disappears, age and virtue increase, wisdom is perfected, wealth is symbolized, and the cause of others is eliminated.
White Dara source: Tsagaan Dara Ekh, Sanskrit Sita Tara, Tibetan Dolgar. She sat cross-legged on the white almond blossom, which blossomed in the form of a beautiful girl, radiating immeasurable light from her white moon. In his left hand, he holds a lotus flower stalk, and in his right hand, he demonstrates the generosity of all beings by redeeming them from all ages and relieving them of pain.
It is depicted in white because it contains the magic of longevity. Maya, the mother of Gautama Buddha, is often praised for her role as the mother of all gods.
Tsagaan Dara has seven eyes of sage who observe all the activities of cosmic nirvana on the forehead, palms and palms of the hands. It is a symbol of vigilance to see all the suffering beings in the world. These seven-eyed Dara mothers have been handed down to Mongolia in the form of Dara mothers. Tsagaan Dara's mother holds a lotus flower with three petals in her left hand, the first of which symbolizes Kashapa, a Buddha who appeared in the past. The second petal symbolizes the god Shakyamuni and is depicted as a complete blossom. The third petal, depicted as spreading immediately, symbolizes the future Maitreya. Thus, through the Almond Flower, Dara is depicted as a symbol of the past, present, and future three-hour deities. Charity dislocations are usually performed with the right hand. The eyes of Tsagaan Dara's hand and the five fingers outstretched are symbols of wisdom. Undur Gegeen Zanabazar Tsagaan Dara created a wonderful image of the mother, which became a tradition for Mongolian artists to follow in later idol paintings. In this work, Tsagaan Dara Ekh is depicted with a Mongolian image.
Twenty-one mothers later: Dara's depiction of a woman being able to find a bodhi knife and become a deity, as well as symbolizing the deeds of the gods, is prominent in Buddhist Indian, Tibetan, and Mongolian art. This is because Dara's religion is very popular in the country. Eventually, Dara's religion and its depiction not only spread within the realm of religion, but also penetrated into the lives of the people and became a native work of art of the nation.
Today, 21 mothers, who are unique historical and cultural monuments of Mongolia, are being transported to the G.Zanabazar Museum of Fine Arts under the protection of the police in accordance with the procedure for transporting tangible cultural heritage.
As part of the “Creative Month of Culture”, for the first time, the idols “Twenty-One Mothers”, “Green Mothers” and “White Mothers” from the collection of sculptures, which are unique and valuable heritage of Undur Gegeen Zanabazar, are presented as a conference.
An exhibition to present to the public the Twenty-One Mothers created by the hand of the High Enlightenment and to explain its valuable artistic and cultural heritage will be held tomorrow, September 9-11, at the G.Zanabazar Museum of Fine Arts.
G.Zanabazar is a well-known Mongolian religious and cultural figure, popularly known as “Undur Gegeen”, who immortalized himself in the history of Mongolian art with his famous sculpture. These works of Zanabazar were a great progress in the art of Mongolian casting in the 17th century and a miracle of intellectual revival.
In his works, Undur Gegeen Zanabazar embodies the aesthetic and aesthetic nature of the nomads, imbuing beauty with the image of beauty imagined by mankind in the Buddhist style, and discusses the history, science, heritage, aesthetics, art and traditions of the people. are masterpieces with unique designs that contain knowledge.
Redeemer green after mother:The Tibetan name is Doljan and the Samgardi name is Shyamatara. It is so named because the animal redeems everything from suffering. His graceful face was as round as the clear moon of autumn, as beautiful as an open lotus petal, as emerald-colored, with a compassionate smile, a pair of long eyelashes, as black and white as the eyes, perfectly perfect, always leaving disciples and all beings. Odbagmed has a wide-eyed look, the ability to blink in an instant, the eyes are white and perfect as light, the lips and palms of the hands and the soles of the feet are red, the hair on the head is black and soft. At the age of sixteen, he was perfect, with a supreme hand on his right knee with his palms facing up. It is a miscarriage of salvation when the wise disciple calls on the meadows to go to the place of the gods, the left hand symbolizes the three highest realms of salvation, and the other fingers are raised up with the thumb and forefinger. It symbolizes the deliverance of tribal danger like a lion, the danger of ignorance like an elephant, the danger of anger like a fire, the danger of jealousy like a snake, the danger of evil like a thief, the danger of greed like a leopard, the danger of lust like water, and the danger of doubt. The symbol of the blue long flower in the hand is a reminder to create a lesson that the celestial beings and meadows can be brought to the Buddha not only by the peace of the universe. The upper part of the body is covered with a rainbow, and the cross is folded to the right and half to the left.
The great ornaments of the first one adorn the evening on New Year's Eve, and they are wonderful and distinct from the ornaments of heaven and man. The neckline is decorated with other pendants. From all these ornaments, the white light that relieves suffering shines brightly. The shoulders are flat, the waist is narrow, and below it there is a vigilance belt that symbolizes the closure of the head of the shameful spy. The gods of the past, the present, and the future have all grown into the image of the redeeming green mother. Remembering the goddess's lagsh with one heart can save her from untimely death and from external and internal dangers. Although Janraiseg said that all living beings would be taken out of the universe, he created immeasurable benefits for animals, but he was saddened by the failure of the universe and shed tears. I will help that animal. Let's save everyone from harm. The beast in my mind was commanded to make them possible in an incomparable substance, and he liked the meadows of the faithful Janraise. It is said that if the devotee worships with great devotion in order to remember the lagshin, the commandments, and the will of the green mother, he prays with all his heart that from the moment of worship until he finds the bodhi knife, he will be a relative of salvation. It spreads all the basic sciences up and down. It is said that in times of trouble, sin disappears, age and virtue increase, wisdom is perfected, wealth is symbolized, and the cause of others is eliminated.
White Dara source: Tsagaan Dara Ekh, Sanskrit Sita Tara, Tibetan Dolgar. She sat cross-legged on the white almond blossom, which blossomed in the form of a beautiful girl, radiating immeasurable light from her white moon. In his left hand, he holds a lotus flower stalk, and in his right hand, he demonstrates the generosity of all beings by redeeming them from all ages and relieving them of pain.
It is depicted in white because it contains the magic of longevity. Maya, the mother of Gautama Buddha, is often praised for her role as the mother of all gods.
Tsagaan Dara has seven eyes of sage who observe all the activities of cosmic nirvana on the forehead, palms and palms of the hands. It is a symbol of vigilance to see all the suffering beings in the world. These seven-eyed Dara mothers have been handed down to Mongolia in the form of Dara mothers. Tsagaan Dara's mother holds a lotus flower with three petals in her left hand, the first of which symbolizes Kashapa, a Buddha who appeared in the past. The second petal symbolizes the god Shakyamuni and is depicted as a complete blossom. The third petal, depicted as spreading immediately, symbolizes the future Maitreya. Thus, through the Almond Flower, Dara is depicted as a symbol of the past, present, and future three-hour deities. Charity dislocations are usually performed with the right hand. The eyes of Tsagaan Dara's hand and the five fingers outstretched are symbols of wisdom. Undur Gegeen Zanabazar Tsagaan Dara created a wonderful image of the mother, which became a tradition for Mongolian artists to follow in later idol paintings. In this work, Tsagaan Dara Ekh is depicted with a Mongolian image.
Twenty-one mothers later: Dara's depiction of a woman being able to find a bodhi knife and become a deity, as well as symbolizing the deeds of the gods, is prominent in Buddhist Indian, Tibetan, and Mongolian art. This is because Dara's religion is very popular in the country. Eventually, Dara's religion and its depiction not only spread within the realm of religion, but also penetrated into the lives of the people and became a native work of art of the nation.